Film review: Battle: Los Angeles

| Bendigo Weekly | 08-Apr-2011 00:01

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IF you had to pin Hollywood down as to what genre of film it does best it would have to be special effect-jammed action flicks and musicals.

 

Battle: Los Angeles is definitely not a musical although it has an amazingly fitting musical soundtrack and sound special effects that play an integral role in the suspense of this sci-fi war film.

 

Brian Taylor’s music constantly backs the frenetic war action between hostile alien invaders and a band of marines that battle against all odds to save the world.

 

Another thing Hollywood is good at it is depicting patriotism and Battle: Los Angeles travels a knife edge between over-the-top flag waving and acceptable nationalism that is required when showing one’s country being invaded by a War of the Worlds’ mutated look-a-like invaders.

 

Audiences of American movies were given a reprieve from the pathological jingoistic patriotism Hollywood studios were pumping out prior to the Soviet Union collapsed in the 1990s but 9/11 unfortunately revitalised the genre. Nearly 10 years on from that dreadful event, equilibrium is slowly being achieved and Battle: Los Angeles is a good example of the fight for restraint.

 

Battle: Los Angeles’s screenplay by Christopher Bertolini contains subtle sub plots that intersperse the action that is full-on to the point of exhausting.

 

Centred on a platoon of marines tasked to save a pocket of stranded civilians behind enemy lines, Bertolini’s story also portrays a sidebar plot line on demons faced by the platoon leader staff sergeant Michael Nantz (played well by Aaron Eckhart).

 

He has to deal with a perceived reputation that he left comrades to die in a previous tour in the Middle East. Complicating the issue is a surviving relative of one of the dead soldiers who is under his command in the current battle.

 

There is also an interesting storyline told among the rescued civilians of an endearing father-son relationship.

 

The necessarily male orientated cast are up to the task and put in commendable performances. Eckhart shows his acting breadth by handling the action hero well especially so closely after making the diametrically opposed sensitive project Rabbit Hole with Nicole Kidman.

 

Other commendable performances include Ramon Rodriguez as second lieutenant William Martinez, Cory Hardrict as corporal Jason Lockett, Gino Anthony-Pesi as corporal Nick Stavrou and Noel Fisher as the youngster private Shaun Lenihan.

 

South African Jonathan Libesman’s direction managers a very energetic project well – keeping a fast pace while holding the action back enough to avoid over-kill.

 

Relatively equal fire-power from both sides helps the special effects team work some marvellous battle scenes. The storyline also contributes by allowing strategy to win over brute force.

 

Battle: Los Angeles is not an intellectual tour de force, but is contains plenty of energy to entertain the testosterone-orientated audience it is intended for.

 

6 stars out of 10

- Robert Gibson

 

 

 

 


 

 

b.Entertained

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